PHTV

At Picture Head, we recognize the demands of episodic television. We have designed a sophisticated system that is both technically robust and flexible. Our PHTV offers a data-centric, tapeless workflow that employs the very latest in technology, ensuring greater efficiency and a high level of creative control.

Our aim is to provide a hand tailored approach to each project. We have assembled a stellar group of talented artists and a professional supervision staff to move each episode through our facility with excellence and efficiency.

Dailies Management:

Our Dailies Management workflow encompasses all facets of the dailies process. We integrate all steps in the dailies process; Image Ingest, Audio Ingest, Audio-Image Synchronization, Dailies Color Correction and Deliverables. Our team will work with your production to create the most effective and efficient workflow. Control Dailies supports a myriad of digital tape- and file-based cameras and can produce native editorial files for Avid and Final Cut Pro, as well as all popular review formats including DVD/Blu-ray, H.264, WM9 and more.

Editorial:
The facility has multiple platforms for final online editorial. Our massive unity storage system allows us to have large volumes of media accessible in multiple edit bays allowing for greater flexibility and speed in the finishing process. We have developed a streamlined nonlinear, data-centric workflow that allows for a seamless throughput from creative editorial to final mastering and delivery of product that is both rapid and efficient.

Edit and Conform Platforms:

Color Correction:
Our DI Theater is equipped with the very latest in color science, featuring The Base Light Advanced Color Correction System from Filmlight.

The system integrates into our central media storage, providing a seamless tapeless workflow from editorial to color correction to visual effects, allowing complete flexibility and efficiency.

Our Color Calibrated Monitors are consistent throughout the facility, ensuring our clients have the confidence that the image presented in the Color Bay is the same as in editorial and ultimately how it will look when it is broadcast.