Our DI Theater is equipped with the very latest in color correction technology, featuring The Base Light Advanced Color Correction Systems from Filmlight.

The system integrates into our central media storage, providing a seamless tapeless workflow from editorial to color correction to visual effects, allowing complete flexibility and efficiency.

Our Color Calibrated Monitors are consistent throughout the facility, ensuring our clients have the confidence that the image presented in the Color Bay is the same as in editorial and ultimately how it will look when it is broadcast.

Some of the Baselight's features include:           

True Light Color Science           
Real Time 2K           
Motion Tracking with unlimited power windows           
Tapeless Work Flow           
Integrated grain and noise reduction           
Supports ALL media formats           

Director of Color Services:

Phil Azenzer

An accomplished colorist, Phil Azenzer has worked on everything from Episodic Television, Pilots, Movies Of The Week to Independent and Feature films. His notable list of credits include television episodic series such as 'Big Love,' 'Entourage,' 'Weeds', 'Two and a Half Men', 'Life Unexpected,' and 'Human Target', to name a few. Azenzer was also responsible for setting the look on the groundbreaking 'The X-Files'.   Additionally he re-mastered the films 'Eraserhead' and 'Twin Peaks.'

Azenzer's projects have been nominated for numerous ASC, Monitor and Emmy awards. Two of his projects, 'Uprising' and 'The X-Files,' won an Emmy and a Monitor Award, respectively.